“It’s powerful to document something you have been through with a community, like bush fire, cyclone, flood, storm, tsunami, but how can you write, video, photograph it in a way that is accessible to people who haven’t been through the event and sensitive to those who have lived it ?”
“As a survivor of bullying and mental illness and a resilience author, I was interested in how June and her community survived their ordeal with coping skills and resilience. So I interviewed June to find out…”
*Please note if you leave comments on the participating blogs after the ABC Open one you have a chance to win a copy of the ebook, or a photographic print of an image from the ebook. Thanks so much for your kind interest in this project.
It was just so rewarding and exciting to assist my friend Danielle Wilson by filming behind the scenes of her project Dance for Recovery. She was supported in her vision by two community arts workers, Avril Duck and Melissa Robertson working for Connecting Community Voices, ISAY project, funded by Far North Queensland Volunteers inc, and several other creatives in music, sound and film: Dez Green, John and Mark Edwards. A couple of members her dance class and some of the wider dance community came to participate, although not all participants were dancers and this was not a requirement.
There was a fantastic response well beyond the circle of Danielle’s friends (most people attending did not know Danielle or each other) to attend this workshop and some people had heard about it on the radio, through the newspaper or the web or through friends; the workshop gave the chance for many people to connect beyond their immediate home. Danielle is all about accessibility and so the class was open to everyone over the age of sixteen. Danielle said she loved that the workshop brought people together from Cairns, Cardwell, Mission Beach, Tully and Innisfail, to express and find their emotions about the cyclone and release them through movement.
I have known Danielle since taking my children to her free movement classes in Mission Beach when they were little. She still works with children but has branched out to work with adults and so Dance for Recovery was an important extension of that process. I vividly remember the way in which she created a sacred and creative space for children of the Cassowary Coast to express themselves and my children have never forgotten the classes. I knew the participants were in for something special even before we had begun. Danielle and I had been talking about a collaboration at some point as I wanted to experience photographing and filming dance, and Danielle wanted to document and be creative with making a dance film. It was amazing to have this opportunity to support a friend and work on my own creative practice. Danielle and I have often crossed paths at workshops for writing, and other projects in the Cassowary Coast and we respect each others arts practice.
Even as we speak Danielle is looking at a draft mix of some of the footage as well as still photographs I took of the workshop Dance for Recovery. I so hope that she is happy with how I am beginning to piece together the story of the project. I am looking forward to working with Leandro Palacio from ABC Open who makes some amazing films that have quite an artistic flair to them. As we filmed on Thursday Leandro especially encouraged me to experiment with my perspective, work the height of the tripod and develop a steady hand-held technique, he directed me to move, just like the participants guided by Danielle in their dance.
To prepare for working on the edits with Leandro I thought it would be helpful to sift through 23 minutes of footage and find the parts which:
1- Help convey the story of the project and performance.
2- Look varied, creative and arty and have some continuity with each other.
3- I am pretty sure he has sound to as my camera has some limitations with how well it collects sound.
4- Are free from camera shake or wonky hand-held technique.
5- Do a draft premix longer than we need to try out some editing techniques and mixes for the final documentary.
6- Look at doing a longer interview with Danielle, either me or Leandro can do this, I could maybe pop over to Danielle’s to do this, she was pretty tired after the workshop.
In the process of filming and photographing I was sensitive to the participants, especially due to the topic of the workshop, cyclone, recovery and finding calm, and Danielle let participants know who I was and that they could opt out of being filmed and that I was approachable and wouldn’t mind whatever their decision. I look forward to their responses to the final documentary as well.
It was great that everyone, participants and artistic support, seemed keen to help Danielle by being in the documentary and a few were happy to talk on camera afterwards even though they were on the way home after long day. The rest of the time they forgot I was there and just went about their workshop. It’s always good for a documentary film maker to be invisible and exist primarily in the movement of her camera! A special challenge with filming this documentary was working with the concept of faceless portraits, and avoiding the human face as much as possible.
Dance for Recovery was funded by FNQ Volunteers, Queensland and Australian Government, Isay project, Connecting Community Voices, and involved many volunteers and a small budget for production for contributing Artists.